Writing in Ice: A Crime Writer's Guide to Iceland

  If you travel all the way to Iceland, you want to see some ice. And the best place to do this is Jökulsárlón, literally ‘Glacier River Lagoon’, an astoundingly beautiful lake of icebergs in the far southeast of the country. It’s a long way from Reykjavík, nearly four hundred kilometres along the Ring Road on the south coast, past the Westman Islands, past Hekla and Eyjafjallajökull, past Vík, and on the other side of that great flood-plain desert.  The lagoon is at the foot of a tongue of the massive Vatnajökull glacier that reaches down towards the sea. It tumbles in extreme slow motion into the lagoon, as large icebergs calve and then drift through the mouth of the lagoon to the Atlantic. There are tours; there are tourists. But the thing to do is escape them, walk back along the road from the main car park, climb over the high bank and scramble down to the shore of the lagoon. Wear warm clothes, arrange for the sun to be out - not quite sure how you do this - an

Another guest post – this time from the Icelandic crime writer, Solveig Pálsdóttir. Solveig is an actor. I have often wondered whether actors have an insight into character that would help in writing a novel. Here is Solveig’s answer! This morning I started reading Harm for the Icelandic audiobook edition. When the studio session was over, I switched on my phone, and up popped a reminder to send my contribution to Writing in Ice . Michael had asked for an account of what it’s like to be an actor in Iceland, and how my experience in the theatre might have influenced my writing. The reminder couldn’t have been better timed, as it’s when I read out loud that I get such a feeling for every single character I have created. I sense so clearly each one’s peculiarities and what went into moulding these personalities.  I put a great deal of emphasis into creating characters, and in doing this I dig deep into my theatrical training. I’ve sometimes described this as having to search for the p